Description:
Auvers had an unassuming character that appealed to Van Gogh at this point in his life. Suitably peaceful and out of the way, it was an ideal retreat from his recent limited successes. Although he had sought critical acclaim in the early days, now that it was almost a reality, Van Gogh shied away from its consequences. As he lameted to Theo: "Success is just about the worst thing that could happen." He even went as far to ask the Dutch critic J.J. Isaacson who had spoken favorably of his work in local Dutch newspapers, to cease his written approbation. Maybe he was worried about his mental stability and the effects that too much praise may have had on it.
Certainly Van Gogh shunned most forms of excitement at this time, preferring instead the gentle and relaxing life of the country in places such as this. For all the scene's wholesome rusticity, though, this is not the country as a haven of calm. On the countrary, all is wild activity, swirling with barely a straight line in sight. Perhaps it is understandable that the sky and vegetation take on organic forms, but when the cottage roof is also subjected to this treatment, the painting takes on highly symbolic connotations. The image no longer reads as a realistic depiction of nature, but as a visual indication of Van Gogh's tornemted soul.
This is a Serigraph
You are viewing a Serigraph print. Fine artists create serigraphs in limited runs by applying layer upon layer of pigment to the print surface by pressing it through a mesh screen containing a stencil. The complex and lengthy process commonly uses inks for pigment and stencils made of a variety of materials. Because of the nature of the process each serigraph is unique.
This is a Giclee
You are viewing a giclee print. Each piece was created by a special process called "Giclee". Giclee is a computer generated print that is produced by the spraying of an image on to fine art paper. The inks used are specially formulated so that the fine print heads can spurt jets of ink in minute droplets. When prints are produced on fine art quality paper, the print should posses archival standards of permanence comparable or better than other collectible work.
This is a Hand Colored Print
You are viewing a hand colored print. The process begins with hand-pulled black & white decorative and antique reproduction prints. Each print is then individually designed and hand colored using the same methods of color application that were used throughout the 19th century, before modern color lithography. Individual artists meticulously paint each piece using the finest European watercolor paints on heavy mat, acid free, archival paper resistant to deterioration and discoloration. By combining old world craftsmanship with fresh design innovations, our artists create works of stunning depth and vibrancy that are absolutely beautiful and unique.
This is a Museum Quality Fine Art Print
You are viewing a museum quality fine-art print. The prints we carry are produced using either the lithographic or serigraphic printing process and are printed on high quality archival acid free paper. Most prints are on a thick (120 pound or higher) stock of paper. Each print is of the highest museum art print reproduction quality and are supplied by the world's leading art publishers. These prints rival any detailed reproduction from their originals and are geared towards the discerning eye of the particular art collector.
This is a Limited Edition
Limited editions are a series of identical prints, which are limited to a one-time printing of a certain number of pieces. The artist determines the size of the edition, and usually signs and numbers each individual piece. Limited edition prints framed by the Fulcrum Gallery are handled separately and given the utmost individual care and attention, using archival framing materials and practices. Because limited editions are in limited supply, and are of exceptionally high quality, the price is generally at a premium to regular open edition prints.
