Description:
In the autumn of 1910, Sargent was in Tuscany staying at two houses owned by the Marchese Farinola: the Villa Torre Galli, near Florence, and a second villa at Varramista, near Lucca; and it is from the latter that Sargent visited the seventeenth-century Villa Reale Marlia, situated nearby. The Villa Marlia had belonged to the Orsetti family, but was bought in 1806 by Elisa Baciocchi, who attemted to restore and reinvent it. In Sargent's day, it was owned by the family of the prince of Capua.
It is characteristic that Sargent chose to paint the old, unreconstructed areas of the garden, a private space, conceived as a series of small outdoor "rooms" and enclosed by high evergreens. His viewpoint is a section of the basin in the Giardino della Limonaia and the balustrade, lined with lemon trees in terracotta pots, which frames the pool. One side of the balustrade is used to define the foreground, but the main focus is its northern rim and two sculpted river gods (representing the rivers Arno and Serchio), reclining and holding jars which spout forth water. It is a dazzling display of his watercolour technique. The dense background vegetation is rendered in wet washes, with darker pigment dragged across on a dry brush to imply shade and texture, and Sargent's familiar ochres and lavenders desribe the play of light and shade on the stonework and statuary. The lemon tree in the foreground is indicated in short strokes of bright pigment, and light on the water is suggested by a few patches of sparkling reserve.
There are several watercolours of the gardens, two of them also in the Museum of Fine Arts, Boston. They show the same statues at an oblique angle and in raking light, and a section of the balustrade with a row of lemon trees in pots lined across the top.
This is a Serigraph
You are viewing a Serigraph print. Fine artists create serigraphs in limited runs by applying layer upon layer of pigment to the print surface by pressing it through a mesh screen containing a stencil. The complex and lengthy process commonly uses inks for pigment and stencils made of a variety of materials. Because of the nature of the process each serigraph is unique.
This is a Giclee
You are viewing a giclee print. Each piece was created by a special process called "Giclee". Giclee is a computer generated print that is produced by the spraying of an image on to fine art paper. The inks used are specially formulated so that the fine print heads can spurt jets of ink in minute droplets. When prints are produced on fine art quality paper, the print should posses archival standards of permanence comparable or better than other collectible work.
This is a Hand Colored Print
You are viewing a hand colored print. The process begins with hand-pulled black & white decorative and antique reproduction prints. Each print is then individually designed and hand colored using the same methods of color application that were used throughout the 19th century, before modern color lithography. Individual artists meticulously paint each piece using the finest European watercolor paints on heavy mat, acid free, archival paper resistant to deterioration and discoloration. By combining old world craftsmanship with fresh design innovations, our artists create works of stunning depth and vibrancy that are absolutely beautiful and unique.
This is a Museum Quality Fine Art Print
You are viewing a museum quality fine-art print. The prints we carry are produced using either the lithographic or serigraphic printing process and are printed on high quality archival acid free paper. Most prints are on a thick (120 pound or higher) stock of paper. Each print is of the highest museum art print reproduction quality and are supplied by the world's leading art publishers. These prints rival any detailed reproduction from their originals and are geared towards the discerning eye of the particular art collector.
This is a Limited Edition
Limited editions are a series of identical prints, which are limited to a one-time printing of a certain number of pieces. The artist determines the size of the edition, and usually signs and numbers each individual piece. Limited edition prints framed by the Fulcrum Gallery are handled separately and given the utmost individual care and attention, using archival framing materials and practices. Because limited editions are in limited supply, and are of exceptionally high quality, the price is generally at a premium to regular open edition prints.
